Future Shorts Festival
Das Future Shorts Festival präsentiert ein neues Programm mit den besten Kurzfilmen weltweit. Wir zeigen die Auswahl in Partnerschaft mit Zitty Berlin am Freitag den 27. Januar 2012 ab 19.30 Uhr, mit insgesamt 6 preisgekrönten Filmen. Anschließend gibt es noch drei hervorragende Live DJ Sets und eine After Show Party bei unseren Nachbarn im Brunnen 70.
Zum Ablauf des Abends:
19:30-21:00 Screening der Future Shorts Festival Auswahl.
21:00-00:00 Drinks und Live DJ Sets ( Teach me, Tapi-zehro & ...)
00:00-02:00 Aftershow Party unserer DJs und anschließend Open End Party (Neuwumsland) im Brunnen70.
5 € Eintritt
Und hier die Infos zu den Filmen:
THE EAGLEMAN STAG
Dir: Michael Please
United Kingdom - 2010
The Eagleman Stag is a unique 9-minute stop-motion animated film which depicts a man’s haunting obsession with the passage of time and his unorthodox relationship with a beetle. Directed by Michael Please, the production was a highly ambition final year film for while studying at the RCA – it is based on a story he previously wrote entitled “The Life and Time of Peter Eagleman”. Orchestral music was integral to this film and composed in tandem with the animation process.
Winner of Best Short Animation at BAFTA, and Special Jury Prize at SXSW.
GOD OF LOVE
Dir: Luke Matheny
United States - 2010
Matheny, who wrote, directed and starred in this 19-minute inventive comedy about love-inducing darts won the Oscar for Best Live Action Short in 2011. A recent film student graduate at New York University, God of Love was produced as his thesis film project while enrolled at NYU’s MFA program. At the Oscars, he was hailed as one of the best acceptance speeches of the evening and thanked his mother for her contribution to the movie.
Oscar Winner in 2011 for Live Action Short Film
DEEPER THAN YESTERDAY
Dir: Ariel Kleiman
Australia - 2010
Filmed on an old decommissioned military submarine with 35mm cameras, Deeper Than Yesterday tells the story of a Russian crew who suffer a rather savage form of cabin fever. Directed by Ariel Kleiman, a graduate of the VCA at the University of Melbourne, recently said “the more uncomfortable I feel making a film the better it will be.” Jurors have compared the film to “The Lower Depths,” Maxim Gorky’s best-known play – very Russian with long period of isolation and madness.
Winner of International Short Filmmaking Award at Sundance.
INCIDENT BY A BANK
Dir: Ruben Östlund
Sweden - 2009
A detailed and humorous account of a failed bank robbery: A single take where roughly 100 people meticulously recreate an actual event that took place in Stockholm in June 2006. Directed by Ruben Östlund, these events were witnessed first hand along with his producer Erik Hemmendorff while on the way to the Swedish Film Insititute. The film questions the reality of how, really, robberies happen, and what they might or, should, look like. “Making ‘Incident by a Bank’ is a way to correct the false images of robberies we see almost daily in action movies made in Hollywood,” says Östlund.
Winner of the Golden Bear at Berlinale.
Dir: Juan Pablo Zaramella
Argentina - 2011
Inspired by the Argentinian instrumental tango piece entitled “Lluvia de Estrellas” (Star Rain), “Luminaris” tells the story of a man living in a world controlled and timed by light. Each day inhabitants of this fictional world awake and are pulled, as if by some otherworldly force, to their jobs by sunlight. Combining pixilation and stop motion techniques; the surrealist short pairs styles reminiscent of art deco with black cinema. Zaramella explains, "Originally, I approached the project as a puppet animation story, but doing some pixilation tests in the gardens of Fontevraud, just for fun, the seed of the present short was born: the idea of sunlight as a magnetic force.”
Winner of Audience Award at Annecy International Animation Festival
THE EXTERNAL WORLD
Dir: David O'Reilly
Germany - 2010
A boy learns to play the piano in this rather dark but occasionally humorous mediation on the anxieties and fears of a modern civilized society. Created as a lo-fi animation, “The External World” is a surreal seventeen-minute collection of vignettes which borrows themes from pop culture, cinema and videogames – classic and contemporary. Some have heralded this short as “a unique reconstruction of the universe” while O’Reilly recently noted in an interview, “I like creating experimental films that have an emotional function.”
Winner of Best Animation – Tampere Film Festival