Art, Money and Self Organization in Digital Capitalism
An event series based on new financial technologies, peer to peer-economies, digital networking and the impact on artistic production.
Welcome to the era of Digital Capitalism! The production of goods is no longer a priority. Instead, digital information is becoming the prime asset of today’s economy. Networked platforms have replaced the factories of the industrial age. Traditional standards of production, work and value are currently being reconfigured. Even our understanding of social values, aesthetics and culture is increasingly shaped by the new paradigms of digital economy.
What are artists’ responses towards this ground shaking dynamics which hasn’t just captured the realm of economy, but our society at large?
Over the course of six events, we will explore new forms of financing and value creation of cultural & artistic projects through means of collaboration, commoning and making intelligent use of emerging digital technologies & practices.
Feminist Economics Seminar, February 25, 2017
With Cassie Thornton of the Feminist Economics Department. You are invited to a day-long seminar about feminist economics, the practice – not the social science. In contrast to conventional conferences on the topic, this seminar is twisted into the form of a yoga class to better question and challenge the rule of money, individualism, obedience, and patriarchy over our individual and collective bodies. More infos about and registration info for this upcoming event here!
Find more info about our previous events and the Arts & Commons curatorial statement below:
PLATFORM COOPS – Start your own! December 9-10 2016
This event aimed at gathering key players of the platform cooperativism movement in Berlin to explore shared values, common goals and a political agenda. Also, we wanted to encourage individuals and networks to think about creating their own cooperative structures. In various workshops, people could learn the skills and tools to just do it. These two days were all about joint ownership, democratic control and self-organization, with a focus on blockchain technologies to enable the bootstrapping of decentralized organizations. Please check our event page for detailed information about the event, speakers and the program.
We want to thank the following wonderful people who helped shaping this event:
Jana Stecher (CZY WRK), Felix Weth (Fairmondo), Magdalena Ziomek (SMART), Simon Liedtke (WeChange), Christophe Guené (Kreditunion Coop), Katja Wegner (Wigwam), Daniel Corral (Coliga), Juho Makkonen (Sharetribe), Yael Sherill (B-Tour), Philipp Hentschel (welance), Sito Veracruz (Fairbnb), Damiano Avellino (Solbnb), Arthur Röing Baer (commune), Louisa Janitschke (FAIRO), Christian Hildebrand (Jolocom), Adrien Labaeye (Transition Lab), Dr. Nadine Müller (Verdi), Boris Janek (Akademie Deutscher Genossenschaften ADG), Victor Matekole, (Crowdfunding system for platform coops & Resonate Music Streaming Coop) Juho Makkonen (Sharetribe), Shermin Voshmgir (Blockchain Hub), Dominika Wruk (Institut für Mittelstandsforschung),), Laura Colini & Lorenzo Tripodi (Tesserae Urban Social Research), Joy Lohmann (Open Island), Gabriela Masfarré Pintó & Georgina Campins (Ideas for Change), Volker Siems, (neighbourhood network Polly & Bob), Eugenio Battaglia (Platform Design Toolkit).
And also, please check the extensive documentation of this event here!
Please check the wonderful photo documentation by Luly Glez on our SUPERMARKT Flickr page!
COMMUNITY VALUE: Sept 23-24 at SUPERMARKT Berlin
We enjoyed presentations, hands-on exercises, inspiring showcases and a currency lab-game on Friday night!
With Lenara Verle, Matthew Slater, Francesca Pick, Peter Harris, Jazmina Figueroa, Greg McMullen and Sven Laepple.
Programm details and speaker info here!
Arts & Commons: Sa, 2. Juli, 2-9pm / Forum Factory Berlin
Our launch event was focused on the development of commons-based economies within the Berlin arts scene. What are the options of building self-organized infrastructures that generate more independence, variety, justice and autonomy among artists? On July 2nd, artists, hackers, commons-experts and collaborative economy insiders have worked on a model for a commons for arts – together with you!
Team, participants & partners
Produced by SUPERMARKT Berlin, in cooperation with Streampark GmbH & Co.KG Directed by: Ela Kagel
Project Management: Birgit Krall
Participants of Arts & Commons so far include:
- Wibke Behrens (Cultural scientist, spokeswoman of the Kulturpolitische Gesellschaft & Koalition der freien Szene Berlin / D)
- Sophie Bloemen (Activist, consultant & founding director of the Commons Network / D)
- Ruth Catlow (Artist, curator, co-founder & co-director of Furtherfield.org, initiator of Art Data Money / UK)
- Thomas Dönnebrink (OuiShare connector, collaborative economy activist & Platformcoop Berlin organiser / D)
- Silke Helfrich (Commons activist, author of various books & publications on the Commons)
- Sam Muirhead (Free / libre open source activist, artist, Open Source Circular Economy Days co-organizer / D & NZ)
- Dmytri Kleiner (Software developer, artist, founder of Telekommunisten Collective / D & CA)
- Chelsea Robinson (Community Builder at Enspiral Network / NZ)
- Elena Veljanovska (Independent curator / D & Macedonia)
- Krystian Woznicki (Journalist, curator & publisher, editor-in-chief of Berliner Gazette / D)
- Matthew Slater, community currency engineer, co-founder of Community Forge. More info about Matthew here.
- Lenara Verle, artist, researcher with a focus on collaboration & community currencies, founder of Coinspiration. More info about Lenara here.
- Francesca Pick, OuiShare connector, writer & speaker interested in how tech can change business, society & human interaction.
- Leopold Wonneberger, economist and member of the Spreeblüte regional currency network.
- Jazmina Figueroa, independent researcher interested in decentralised platforms, artist rights, and preservation
- Ela Kagel, digital strategist, creative producer & co-founder of SUPERMARKT
- Sven Laepple, founder of Astratum. More info about Sven here.
- Greg McMullen, lawyer, director of the IPDB foundation and Chief Policy Officer for BigchainDB GmbH.
- Peter Harris, web developer, art director, DJ and founder of Resonate.
- Jana Stecher, digital strategist, coach, chairwoman of the board of CZY WRK
- Katja Wegner, digital strategist & co-founder of Wigwam
- Magdalena Ziomek, chairwoman of the board of SMART Germany
- Simon Liedke, co-founder of WeChange
- Christophe Guené, co-founder of Unite! – a financial self-help platform
- Philip Hentschel, founder of WeLance
- Daniel Corral, co-founder of Coliga
- Juho Makkonen, founder of Sharetribe
- Sito Veracruz, co-initiator of Fairbnb
- Christian Hildebrandt, Jolocom
- Shermin Voshmir, founder of Blockchain Hub
- Victor Matekole, Resonate Streaming Music Collective
- Louisa Janitschke, FAIRO
- Joy Lohmann, Makers 4 Humanity & Open Island
- Nadine Müller, Verdi
- Boris Janek, Akademie der Deutschen Genossenschaftsbanken
- Gabriele Masfaré Pinto, Ideas for Change
- Georgina Campins, Ideas for Change
- Volker Siems, founder of Polly & Bob
- Eugenio Battaglia, Plattform Design Toolkit
While the world is bracing itself for a fourth industrial revolution,
immeasurable amounts of money are being exchanged via digital platforms,
new financial technologies like Blockchain are shaking the foundations of our economic system,
and digital transformation is unlocking its disruptive potential everywhere,
are the arts
triggering a new debate about values?
Arts & Assets
Financial technologies are based on digital communities, on creativity, communication, collaboration – all also crucial factors in artistic production. In the arts, however, there is often a lack of both financial funds as well as technical skills which prevents artists from accessing these new technologies and making use of their benefits. And this is true even though technologies like Blockchain, in particular, could be interesting for artists because they offer a whole new approach to issues like copyrights, co-production and the trade and sale of artworks.
The Hunger Artist
Artists are very much used to fight for project sponsors and hardly a day goes by where artists do not have to think about the value and the price of their work. Most of the time, these issues are discussed behind closed doors or result in the same old fruitless debate about the lack of state subsidies. But no matter how much the state supports artists, funds gained by project financing (which is what most state subsidies are at the end of the day) will never be enough to create sustainable living for artists in the long term. Like in Kafka’s “The Hunger Artist” there are always just enough to get by.
You have no one but yourself to blame if you brood over your problem all by yourself and slowly give up. There are so many good opportunities nowadays that help you benefit from assets within your own circle of friends: crowdfunding, couchsurfing, crowdsourcing, professional sharing and exchanging. There is a multitude of social transaction out there – capitalise on that. However, as interesting as some of these opportunities are, they all have one basic problem: They are mostly one-off, transaction-based systems that only allow you to participate if you yourself have something to offer. In order to sustain yourself on the market of crowdfunding, you need a lot of time, good connections and communication skill on a professional level. Otherwise you will certainly wait in vain if you expect money being thrown at you.
System Failure or Depression?
Money, knowledge and the access to innovative technologies are not distributed democratically (anymore). On the one hand, these resources are crucial for one’s livelihood, on the other hand, they are important prerequisites for innovation, development and the corresponding participation in a social debate. This realisation causes more and more artists to start self-organizing. The more you share with each other, the more obvious it becomes that being ashamed of precarious living conditions, a lack of followers or other social capital is, in fact, not just your fault, but also a symptom of crumbling structures. Feeling embarrassed weakens individuals in the long term. Collective and productive anger, however, paves the way for empowerment. The system is broken – let us build a new system.
Who decides what is discussed in society nowadays? Start-ups, companies or artists? Who develops new visions of co-living and co-working? Who tells the story of our time?
Currently, movements at the interface between art, economy and political self-organisation develop all over the world: new forms of cooperativism, like the Platform Cooperativism movement headed by Trebor Scholz, Professor at the New School in New York. Cooperatives are founded and alternative political movements like #DIEM25, Podemos or a large number of local Occupy offshoots are becoming more and more influential. And there is an ever-increasing number of artists’ collectives or cooperatives, for example for freelancers or freelance artists.
In the varied concepts and approaches surrounding the idea of the Commons, there are plenty of interesting examples of sharing of resources, of self-empowerment, solidarity and co-production to be found. The idea of the Commons as common property and/or common welfare refers to common possession and common use of everything that human societies need in life. This includes goods like air, water and public spaces as well as education, culture or art.
- Simply recruiting people to visit our events is not sustainable. Once the event is over, visitors will move on.
- Measuring success in numbers of participants is not sustainable. Numbers don’t say anything about the quality of conversations or the relevance of personal encounters.
- Simply relying on state funding and / or crowdfunding is not sustainable. We need permanent structures of mutual support.
- Assuming that social media followers are loyal or that a community is a static, predictable resource is simply wrong.
Art as Commons
These are the core questions we will work on:
- How can we design ecosystems to create interaction within the community?
- What is needed for the development of critical practices and support mechanisms to strengthen the local arts community?
- What are our possibilities in creating legal entities to make collaboration and artistic production easier and more sustainable?
- Can we create a shared vision for a commons within the arts sector?